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Nabokov was a master of detail, and his lectures reflect his passion for the minute particulars of literature. He believed that details are not just decorative flourishes, but rather, they are the building blocks of a literary work. In his lecture on "Details," Nabokov notes, "The pages are still blank, but there is a miraculous feeling of the words being there, written in invisible ink and clamoring to become visible." (Nabokov, 1980, p. 17).
For example, in his lecture on "Ulysses," Nabokov notes, "The book is a labyrinth, and the reader must navigate it." (Nabokov, 1980, p. 145). He then proceeds to guide the reader through the labyrinth, pointing out key features, and demonstrating how Joyce's innovative use of language and form creates a rich, complex, and deeply allusive work. vladimir nabokov lectures on literature pdf
Vladimir Nabokov's "Lectures on Literature" is a treasure trove of insights into the art of reading, writing, and understanding literature. The book is a collection of Nabokov's notes from a course he taught at Stanford University, where he guided students through a range of literary works, from ancient Greek epics to modernist masterpieces. In this piece, we'll explore some of Nabokov's key ideas on literature, as distilled from his lectures. Nabokov was a master of detail, and his
References: Nabokov, V. (1980). Lectures on Literature. New York: Harcourt Brace. He then proceeds to guide the reader through
Throughout "Lectures on Literature," Nabokov devotes individual lectures to specific works, including James Joyce's "Ulysses," Gustave Flaubert's "Madame Bovary," and Charles Dickens's "Great Expectations." In each of these lectures, Nabokov provides a detailed analysis of the text, highlighting its unique features, and offering insights into the author's craft.